The latest issue is a tribute to the beautiful, unnerving world of Josephine Decker’s biopic that isn’t a biopic.
On the Cover
Isip Xin‘s evocative portrait of Elisabeth Moss as Shirley Jackson – created with pastels, paint, and digital elements – captures the witchy vibe of the film. Isip also illustrated the rather dreamy endpapers, featuring the Vermont home of Jackson and Hyman, and the woods that surround them.
Jourdain Searles profiles the endlessly fascinating creative force behind Shirley, Josephine Decker.
Hannah Woodhead speaks to Elisabeth Moss about her immensely impressive body of work, plus the ins and outs of playing a literary icon.
Pocketful of Irreverence
Adam Woodward meets the remarkable Michael Stuhlbarg, who gives a sterling performance as Shirley’s conniving husband Stanley Hyman.
We asked three artists – Jason Ngai, Miranda Harris and Adriana Bellet – to imagine what the studies of three legendary female screenwriters might have looked like.
The Sounds of Tamar-Kali
Lillian Crawford speaks to one of the hottest composers around, who’s a regular with Dee Rees and now lends her talent to Shirley.
A Shroom of One’s Own
John Semley delves into the on-screen history of the humble mushroom.
The 1001st Woman of Horror
Anton Bitel interviews Alexandra Heller-Nicholas about her latest book, ‘1000 Women in Horror’ which sings the praises of iconic and overlooked figures in this traditionally male-dominated genre.
In Dreams: A Conversation with Charlie Kaufman
To celebrate the release of both I’m Thinking of Ending Things and ‘Antkind’, David Jenkins chats to one of the most fascinating (and elusive) figures in film.
In her regular column on fashion and film, Christina Newland is on the prowl for one of the chicest accessories: cat eye glasses.
Illustrations in this issue by Laurène Boglio, Stéphanie Sergeant, Sophie Mo, Jason Ngai, Adriana Bellet, Miranda Harris, Oliver Stafford and Amy Moss.