Edited by JULIETA ARANDA, ANTON VIDOKLE, BRIAN KUAN WOOD
Contributions by JULIETA ARANDA, ZDENKA BADOVINAC, RAQS MEDIA COLLECTIVE, HU FANG, BORIS GROYS, JÖRG HEISER, CAROL YINGHUA LU, CUAUHTÉMOC MEDINA, HANS ULRICH OBRIST, DIETER ROELSTRAETE, MARTHA ROSLER, JAN VERWOERT, ANTON VIDOKLE, BRIAN KUAN WOOD
This book began as a two-part issue of e-flux journal devoted to the question: What is contemporary art? First, and most obviously: why is this question not asked? That is to say, why do we simply leave it to hover in the shadow of attempts at critical summation in the grand tradition of twentieth-century artistic movements? A single hegemonic “ism” has replaced clearly distinguishable movements and grand narratives. But what exactly does it mean to be working under the auspices of this singular ism?
“Widespread usage of the term ‘contemporary’ seems so self-evident that to further demand a definition of ‘contemporary art’ may be taken as an anachronistic exercise in cataloguing or self-definition. At the same time, it is no coincidence that this is usually the tenor of such large, elusive questions: it is precisely through their apparent self-evidence that they cease to be problematic and begin to exert their influence in hidden ways; and their paradox, their unanswerability begins to constitute a condition of its own, a place where people work.”
What Is Contemporary Art? puts the apparent simplicity and self-evident term into doubt, asking critics, curators, artists, and writers to contemplate the nature of this catchall or default category.
10.8×17.8 cm, 216 pages
Published by Sternberg Press